At The Last Goddess, we devour good gossip; below are some tasty morsels from New York-based Earl Wilson's syndicated column, written at the time of Marlene's two Broadway triumphs in 1967 and 1968:
MONTREAL -- Maurice Chevalier, "a very happy old man" in his own words, delivered himself of the provocative opinion here the other day that "Marlene Dietrich had the guts that Greta Garbo never had" in continuing her career and that Garbo "must not be very gay now not working." ... "I don't approve of Garbo not working," Chevalier said. "she got so scared because something she did went wrong, and she didn't dare to come back, and she has refused everything. If she had kept working she would still be the great Garbo, whereas now Dietrich is greater than Garbo. She would have had to take older parts so she would be the great old lady of the screen. It is better to be a great old lady than just a souvenir." Chevalier was sure that Marlene -- "who has a lot of guts and it's surprising to find guts in one so feminine" -- will be a big hit in her one-woman singing, dancing show which, he pointed out, "is not her profession, but a new one for her". (5 August 1967)- Marlene Dietrich insists upon a special stage door watchman for her one woman show, to protect a gown allegedly costing $ 50,000. Advance word is that she's so good and lovely, that "she performs for an hour and 20 minutes, then takes bows for 40 minutes". (9 October 1967)
- Marlene Dietrich was escorted to El Morocco the other morning by Lord Snowdon, Princess Margaret's husband who is here on business, and Alexander Lieberman of Vogue, and Mrs Lieberman. For supper (or breakfast) they had scrambled eggs with red wine. Several beautiful woman such as Mrs Pat Uchitel were there, and I asked what they noticed. They replied, "Marlene's figure." ... "Isn't she TOO thin?" asked somebody near me ... "A woman," they shrieked, is NEVER too thin!" (Is that right?) (24 October 1967)
- Marlene Dietrich rejected a 50Gs-a-week offer from Miami Beach Deauville, "but I'd like to vacation there". (18 November 1967)
- Marlene Dietrich told the Billy Reeds she'll go into white tie and tails again when she does Die Fledermaus in Vienna next summer. (19 November 1967)
- Marlene Dietrich shelved a return to NY -- but may play Osaka, Japan, Fair in the mid-1970s. (25 January 1968)
- The Marlene Dietrich triumphal return had some light moments. The "white mink" floor-length coat -- or was it ermine? -- turned out to be swans' down (from the belly of a swan), and it was gorgeous, and I may start breeding swans ... Producer Alexander H. Cohen was funny when I mentioned to him that one bouquet-thrower, who also threw love beads, which Marlene promptly put on, was working both aisles, flinging flowers from one side to the other, and was later seen backstage. "Those flowers cost me a lot of money," joked Producer Cohen, "and Marlene won't let me use them twice." Marlene wore a Jean Louis silk net gown with bugle beads and crystals -- and now jewelry -- and as she took her short little hobble-skirted steps across the stage, bowed the deepest, prettiest bow in history, and waived from the parted red curtains, we thought she is the greatest showman of our time. (10 October 1968)
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